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Submissions from 2005

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Interpreting Reality: ‘Los olvidados’ and the Documentary Mode, Julie Jones

Submissions from 2003

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Extravagances temporelles chez Béroalde de Verville et Clovis Hesteau de Nuysement, Denis M. Augier

Submissions from 2002

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The Two Faces of Eve: Villiers's Response to Zola's La Faute de l'abbé Mouret, Juliana Starr

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Un breve comentario sobre el converso en El licenciado Vidriera, Maria del Carmen Artigas

Submissions from 2001

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Clovis Hesteau de Nuysement: Un Certain Désir d'immortalité, Denis M. Augier

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El Lenguaje Poético como Crítica Social en la Roma Abrasada de Lope de Vega, Maria del Carmen Artigas

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Men Looking at Art: Aesthetic Voyeurism in Two Novels by Emile Zola, Juliana Starr

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Painting on the Periphery: Women Artists in Three French Texts, Juliana Starr

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Was Cervantes a Faithful Jew? A Subtext Reading of Don Quixote: Analysis of the Conjectural Language, Maria del Carmen Artigas

Submissions from 2000

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Digestive Divas: Women and Food Problems in Two Texts by J. K. Huysmans, Juliana Starr

Submissions from 1999

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The Picaro in Paris: ‘The Discreet Charm of the Bourgeoisie’and the Picaresque Tradition, Julie Jones

Submissions from 1998

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Figuring Frames: Painting as Inspiration for a New Literary Aesthetic in Two Novels by J.-K. Huysmans, Juliana Starr

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Las paces de los reyes y la judía de Toledo de Lope de Vega: Una aproximación al lenguaje equívoco, Maria del Carmen Artigas

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L’Or et l’émeraude: sur la signification alchimique de Quelques Personnages de Notre-Dame de Paris, Denis M. Augier

Submissions from 1996

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Pronouncing French Names in New Orleans, Clifton Meynard, George Wolf, Michele Bocquillon, Debbie de la Houssaye, Phyllis Krzyzek, and Lisbeth Philip

Submissions from 1995

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L'Alchimie dans Le Songe de Poliphile, Denis M. Augier

Submissions from 1993

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Men Looking at Women through Art: Male Gaze and Spectatorship in Three Nineteenth-Century French Novels, Juliana Starr

Submissions from 1992

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Jean-Claude Renard: And the Word Was Made Mystère, Jean Cranmer

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Paris and 'el país': The Process of Representation in El recurso del método, Julie Jones

Submissions from 1991

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Jules Supervielle: Is Le Forçat Innocent?, Jean Cranmer

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"La mancha en la sangre versus la mancha en el alma" en La buena guarda de Lope de Vega, Maria del Carmen Artigas

Submissions from 1990

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El mito del paraíso en La buena guarda (1610) de Lope de Vega, Maria del Carmen Artigas

Submissions from 1986

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A Romanian Singer of Tales: Vasile Tetin, Eliza Ghil

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Vargas Llosa's Mangachería: The Pleasures of Community, Julie Jones

Submissions from 1985

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Escargots and Oysters on the Half Shell: Francis Ponge à la Carte, Jean Cranmer