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Submissions from 1998

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Figuring Frames: Painting as Inspiration for a New Literary Aesthetic in Two Novels by J.-K. Huysmans, Juliana Starr

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Las paces de los reyes y la judía de Toledo de Lope de Vega: Una aproximación al lenguaje equívoco, Maria del Carmen Artigas

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L’Or et l’émeraude: sur la signification alchimique de Quelques Personnages de Notre-Dame de Paris, Denis M. Augier

Submissions from 1996

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Pronouncing French Names in New Orleans, Clifton Meynard, George Wolf, Michele Bocquillon, Debbie de la Houssaye, Phyllis Krzyzek, and Lisbeth Philip

Submissions from 1995

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L'Alchimie dans Le Songe de Poliphile, Denis M. Augier

Submissions from 1993

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Men Looking at Women through Art: Male Gaze and Spectatorship in Three Nineteenth-Century French Novels, Juliana Starr

Submissions from 1992

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Jean-Claude Renard: And the Word Was Made Mystère, Jean Cranmer

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Paris and 'el país': The Process of Representation in El recurso del método, Julie Jones

Submissions from 1991

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Jules Supervielle: Is Le Forçat Innocent?, Jean Cranmer

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"La mancha en la sangre versus la mancha en el alma" en La buena guarda de Lope de Vega, Maria del Carmen Artigas

Submissions from 1990

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El mito del paraíso en La buena guarda (1610) de Lope de Vega, Maria del Carmen Artigas

Submissions from 1986

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A Romanian Singer of Tales: Vasile Tetin, Eliza Ghil

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Vargas Llosa's Mangachería: The Pleasures of Community, Julie Jones

Submissions from 1985

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Escargots and Oysters on the Half Shell: Francis Ponge à la Carte, Jean Cranmer

Submissions from 1984

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Ideological Models and Poetic Modes in the Song of the Albigensian Crusade, Eliza Ghil

Submissions from 1979

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The Golden Age in El siglo de las luces, Julie Jones