Date of Award

Spring 5-18-2012

Degree Type

Thesis

Degree Name

M.A.

Degree Program

English

Department

English

Major Professor

Loomis, Catherine

Second Advisor

Piano, Doreen

Third Advisor

Easterlin, Nancy

Abstract

As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s relates to traumatic, far-reaching changes in the urban landscape and its uses. There is an observable preoccupation, on the part of playwrights and filmmakers, with the subject of vengeance as tied to notions of locality, space, and rightful ownership.

Rights

The University of New Orleans and its agents retain the non-exclusive license to archive and make accessible this dissertation or thesis in whole or part in all forms of media, now or hereafter known. The author retains all other ownership rights to the copyright of the thesis or dissertation.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.