Date of Award
Spring 5-2016
Degree Type
Thesis
Degree Name
M.A.
Degree Program
History
Department
History
Major Professor
Dr. Gunter Bischof
Second Advisor
Dr. Andrea Mosterman
Third Advisor
Dr. Robert Dupont
Abstract
Abstract
This thesis explores the influence of masculinity in twentieth century American foreign policy through examining the career of Guy “Machine Gun” Molony. Molony was an Irish American mercenary from New Orleans, whose career saw the transformation of Honduras from a banana republic to a recipient of dollar diplomacy. Unlike the majority of mercenaries who did not use their experience to build successful careers, Molony made a name for himself in American newspapers, becoming respected and even feared by policemen and politicians. His life tells a fascinating tale of the individual male in American foreign policy, where rebellious youth used war and instability to create heroic images of themselves. This thesis argues that the U.S. State Department borrowed from the independent mercenary model, building on a foundation laid out by men like Molony to implement dollar diplomacy. Guy Molony’s career is a telling example of how perceived ideas of manhood carried imperial intentions during the era of manifest destiny and the Monroe Doctrine. Although scholars tend to focus on Western expansion when examining the ideology of manifest destiny, this thesis explores how mercenaries like Guy Molony, followed by the U.S. State Department, continued to look southward to Central America as a means for American expansion.
Recommended Citation
Spencer, Brett, "“Casey Saw It Through”: Guy “Machine Gun” Molony and the Creation of a Rugged Individual" (2016). University of New Orleans Theses and Dissertations. 2219.
https://scholarworks.uno.edu/td/2219
Included in
Cultural History Commons, Diplomatic History Commons, History of Gender Commons, United States History Commons
Rights
The University of New Orleans and its agents retain the non-exclusive license to archive and make accessible this dissertation or thesis in whole or in part in all forms of media, now or hereafter known. The author retains all other ownership rights to the copyright of the thesis or dissertation.