Works

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Part of the Performance Studies Commons

2021

An Exploration of the Experiences Black Women Face in Society Through the Lens of Single Black Female, Danielle James
University of New Orleans Theses and Dissertations

2020

Social Power of Jazz Festivals, Olga Bekenshtein
University of New Orleans Theses and Dissertations

The Collaborators Draw the Circle, Gary K. Lengel
University of New Orleans Theses and Dissertations

2019

Do We Make a Sound? An American Morality Play, Bennett A. Kirschner
University of New Orleans Theses and Dissertations

2018

Story & Style: Pursuing Excellence on the Academic Stage, Ryan M. Decker
University of New Orleans Theses and Dissertations

2017

An Actor's Method to Building the Character of Mother Superior in AGNES OF GOD, Venita J. Matthews
University of New Orleans Theses and Dissertations

2016

How to be a Misanthrope: Creating the Title Role in Moliere’s The Misanthrope, David Cleveland Brown
University of New Orleans Theses and Dissertations

2015

An Actor's Method to Building the Character of Hamlet in The Tragedy of Hamlet, Prince of Denmark, Samuel C. Malone III
University of New Orleans Theses and Dissertations

2014

Through the Eyes of the Homeless, Aisha M. Soto
University of New Orleans Theses and Dissertations

Paternity Test: Finding a Director’s Voice for Father, Jennifer l. Billot
University of New Orleans Theses and Dissertations

How to Tame a Shrew (11 Things I Hate About Her) An Actor's Method to Characterizing Petruchio in The Taming of the Shrew, Robert J. Facio
University of New Orleans Theses and Dissertations

2012

The Spirit of the Spitfire: Creating the Role of Nancy Shedman in Romulus Linney's "Holy Ghosts", Caleigh M. Keith
University of New Orleans Theses and Dissertations

The Persistence of Vengeance from Early Modern England to Postmodern New York, Dominic M. Sevieri
University of New Orleans Theses and Dissertations

2011

Playing House with Coward’s “Hay Fever”, Sarah M. Klocke
University of New Orleans Theses and Dissertations