ORCID ID
0009-0001-2902-0633
Date of Award
5-2024
Degree Type
Thesis-Restricted
Degree Name
M.F.A.
Degree Program
Film and Theatre
Department
Film and Theatre
Major Professor
David W. Hoover
Second Advisor
Wendy A. Young
Third Advisor
Amy Pfrimmer
Abstract
This study investigates the influence of specific frameworks in performance and vocal pedagogy on artists' capacity to enact evidence-based learning outcomes, with emphasis on vocal physiology and educator-performer relationships. Employing an experimental design, five philosophies that support capacity-building were tested across two trial settings, varying in intensity. The participant utilized narrative reasoning, diversified methods, and mentorship from specialized educators to apply frameworks. Findings indicate that, in practicing evidence-based learning and maximizing anatomic foundations of the voice, substantial developments in artistic capacity ensued. Educator-performer relationships mediate this process through reciprocal collaborations that foster capacity-building. Performers display optimal artistic capacity by effectively employing techniques facilitated by the educator, thereby signaling pedagogical success. This research informs artistic enrichment by highlighting the areas of crossover between pedagogy, physiology, and performance. Understanding these intersections enables the artist to practice innovation and lifelong learning within their creative approach and, consequently, operate at their highest capacity level.
Recommended Citation
Civitano, Michael J., "A Performance-Based Exploration of Vocal Anatomy And Pedagogy: Maximizing Technical, Stylistic, and Physiological Frameworks for Superlative Vocal Technique in Artistic Function" (2024). University of New Orleans Theses and Dissertations. 3162.
https://scholarworks.uno.edu/td/3162
Rights
The University of New Orleans and its agents retain the non-exclusive license to archive and make accessible this dissertation or thesis in whole or in part in all forms of media, now or hereafter known. The author retains all other ownership rights to the copyright of the thesis or dissertation.