Submissions from 1998
Figuring Frames: Painting as Inspiration for a New Literary Aesthetic in Two Novels by J.-K. Huysmans, Juliana Starr
Las paces de los reyes y la judía de Toledo de Lope de Vega: Una aproximación al lenguaje equívoco, Maria del Carmen Artigas
L’Or et l’émeraude: sur la signification alchimique de Quelques Personnages de Notre-Dame de Paris, Denis M. Augier
Submissions from 1996
Pronouncing French Names in New Orleans, Clifton Meynard, George Wolf, Michele Bocquillon, Debbie de la Houssaye, Phyllis Krzyzek, and Lisbeth Philip
Submissions from 1995
L'Alchimie dans Le Songe de Poliphile, Denis M. Augier
Submissions from 1993
Men Looking at Women through Art: Male Gaze and Spectatorship in Three Nineteenth-Century French Novels, Juliana Starr
Submissions from 1992
Jean-Claude Renard: And the Word Was Made Mystère, Jean Cranmer
Paris and 'el país': The Process of Representation in El recurso del método, Julie Jones
Submissions from 1991
Jules Supervielle: Is Le Forçat Innocent?, Jean Cranmer
"La mancha en la sangre versus la mancha en el alma" en La buena guarda de Lope de Vega, Maria del Carmen Artigas
Submissions from 1990
El mito del paraíso en La buena guarda (1610) de Lope de Vega, Maria del Carmen Artigas
Submissions from 1986
A Romanian Singer of Tales: Vasile Tetin, Eliza Ghil
Vargas Llosa's Mangachería: The Pleasures of Community, Julie Jones
Submissions from 1985
Escargots and Oysters on the Half Shell: Francis Ponge à la Carte, Jean Cranmer
Submissions from 1984
Ideological Models and Poetic Modes in the Song of the Albigensian Crusade, Eliza Ghil
Submissions from 1979
The Golden Age in El siglo de las luces, Julie Jones