Voices in my Head: An Improvisers Approach to Becky Mode’s Fully Committed

Author

Drew Stroud, University of New OrleansFollow

Date of Award

5-2023

Degree Type

Thesis

Degree Name

M.F.A.

Degree Program

Film, Theatre & Communication Arts

Department

Film and Theatre

Major Professor

K. Kalo Gow

Second Advisor

David Hoover

Third Advisor

Henry Griffin

Fourth Advisor

Laszlo Fulop

Abstract

The following thesis will focus on improvisational theatre and its importance in my overall process in the creation of Becky Mode’s Fully Committed. I will explain my previous knowledge and theories that I brought to the University of New Orleans and run in tandem with the techniques and discoveries I learned during the process of my Master of Fine Arts, both in the classroom and on the stage. Fully Committed was performed in the Robert E. Nims Studio Theatre September 23^rd, 24^th, 25^th, 28^th, 29^th, 30^th, and October 1^st, 2023.

Rights

The University of New Orleans and its agents retain the non-exclusive license to archive and make accessible this dissertation or thesis in whole or in part in all forms of media, now or hereafter known. The author retains all other ownership rights to the copyright of the thesis or dissertation.

Recommended Citation

Stroud, Drew, "Voices in my Head: An Improvisers Approach to Becky Mode’s Fully Committed" (2023). University of New Orleans Theses and Dissertations. 3095.
https://scholarworks.uno.edu/td/3095