Date of Award
5-2025
Degree Type
Thesis
Degree Name
M.A.
Degree Program
English
Department
English
Major Professor
Dr. Lisa Verner
Second Advisor
Dr. Ellen Shelby Richardson Lovell
Third Advisor
Dr. Edward Johnson
Abstract
This thesis explores the thematic and conceptual intersections between Pauline Réage’s Story of O and the medieval mystical writings of Mechthild of Magdeburg and Margery Kempe, focusing on the intertwined dynamics of divine ecstasy and erotic submission. By analyzing the textual representations of bodily suffering, erotic desire, and female submission, this study argues that Story of O—a modern work of literary erotica—engages with a mystical-erotic tradition that echoes the visions and devotional experiences of medieval women mystics. Through close readings, this project examines how both Réage’s protagonist and medieval mystics navigate the paradox of submission as a pathway to empowerment, reframing suffering as a means of achieving spiritual or existential fulfillment. This comparative framework situates Story of O within a broader historical lineage of mystical eroticism, challenging conventional distinctions between religious devotion and sexual surrender. Ultimately, this thesis argues that the gendered narratives of submission, pleasure, and transcendence reflect the psychosexual consequences of patriarchal dominance within society on feminine spirituality and identity.
Recommended Citation
Crawford, Lauren A., "Divine Ecstasy and Erotic Submission: Pauline Réage’s Story of O and the Medieval Mysticism of Mechthild of Magdeburg and Margery Kempe" (2025). University of New Orleans Theses and Dissertations. 3275.
https://scholarworks.uno.edu/td/3275
Included in
Christianity Commons, Medieval Studies Commons, Other Arts and Humanities Commons, Other Feminist, Gender, and Sexuality Studies Commons
Rights
The University of New Orleans and its agents retain the non-exclusive license to archive and make accessible this dissertation or thesis in whole or in part in all forms of media, now or hereafter known. The author retains all other ownership rights to the copyright of the thesis or dissertation.