Date of Award

5-2026

Degree Type

Dissertation

Degree Name

Ph.D.

Degree Program

Urban Studies

Department

College of Urban and Public Affairs

Major Professor

Bethany Stich

Second Advisor

Christine Day

Third Advisor

Marla Nelson

Abstract

This research interrogates how racialized absences are produced, maintained, and incorporated within public memory. Drawing on Allan Kellehear for unobtrusive methods, Michel-Rolph Trouillot and Jacques Derrida for a postmodern understanding of archival power; positioning postmodern theory as both a diagnostic and destabilizing tool, that reveals silences and contradictions embedded in white dominant, and hegemonic narratives. Grounded in W. E. B. Du Bois’ sociological lens and extended through the theories of bell hooks and Keith Morrison, this research demonstrates the racial limit of postmodern theory while simultaneously expanding its utility in understanding “Postmodern Blackness” (hooks, 1990) Through unobtrusive methods and AI-assisted archival techniques, this research highlights how the “Negro Problem” operates as a structuring fiction- one that shapes what is remembered, what is forgotten, and what is permitted to appear in official historical accounts. By exploring contemporary black archival art and public art practices, this research shows how black artists intervene in historical erasure and create counter-memorial spaces that challenge institutional authority. Ultimately, this research seeks to offer a framework for understanding public memory as a contested site of power, where race, technology, and historiography converge.

Rights

The University of New Orleans and its agents retain the non-exclusive license to archive and make accessible this dissertation or thesis in whole or in part in all forms of media, now or hereafter known. The author retains all other ownership rights to the copyright of the thesis or dissertation.

Available for download on Saturday, May 31, 2031

Share

COinS